Call me Daisy Kenyon !! I would like to be in a love triangle with 2 dysfunctional man like Joan Crawford had with Dana Andrew and Henry Fonda.. I love How Otto Preminger use the camera in this movie A lot of extreme long shot less on the close up .. It’s is totally quintessential Noir / Woman picture at the same ti…me . And for sure an underrated Joan Crawford movie
Box Office Figures for “Daisy Kenyon”:
Top Grossing Film Position: #71 out of #93 films.
Gross Rentals: $1,750,000.
Inflation Value in 2008: $16,612,679.37.
Didi you know??
According to publicity materials contained in the film’s production files at the AMPAS Library, Joan Crawford wanted to buy the rights to the novel for herself, but Fox purchased them before she had a chance to bid. According to materials contained in the Twentieth Century-Fox Produced Scripts Collection, located at the UCLA Arts–Special Collections Library, Margaret Buell Wilder and Ted Sills wrote an incomplete first draft of the screenplay in August of 1945. In May of 1947, Ring Lardner, Jr. was hired to revise David Hertz’s screenplay, but the extent of their contributions to the final screenplay has not been determined.
Joan Crawford’s contract stipulated that the set be kept at temperatures that Henry Fonda and Dana Andrews found “too cold,” so Crawford bought both of them long underwear.

Otto Preminger told an interviewer in the 1970s that he had no memory of this film.Continuity: Near the end of the movie, there are snow chains already on the wheels when Daisy leaves the cottage at the cape. No one had been to the cape since it had snowed.
When Daisy backs out of the garage, the passenger window is down. A few minutes later, she wrecks the car and the window is up (and cracked).
At the divorce trial, Dan still has the bad scrape on his forehead. Soon after, he’s at the cape with Peter and Daisy and his forehead is all healed.















